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  <div class="vevent h-event"> <h1 class="summary p-name">Bach : Beethoven : Brahms :: Vivaldi : Mozart : Tchaikovsky</h1> <div class='date'><time class="dtstart dt-start" title="2013-09-22T18:30:00" datetime="2013-09-22T18:30:00">Sunday, September 22, 2013 from 6:30</time>–<time class="dtend dt-end" title="2013-09-22T20:00:00" datetime="2013-09-22T20:00:00">8pm</time></div> <div class="location vcard p-location h-card"> <a class="url" href='http://calagator.org/venues/202394066'><span class='fn org p-name'>Studio 2020</span></a> <div class="adr p-adr h-adr"> <div class="street-address p-street-address">215 SE Morrison, Suite 2020</div> <span class="locality p-locality">Portland</span> , <span class="region p-region">OR</span> <span class="postal-code p-postal-code">97214</span> (<a href='https://maps.google.com/maps?q=215%20SE%20Morrison,%20Suite%202020,%20Portland%20OR%2097214%20'>map</a>) </div> </div> <div class="description p-description"> <p>The Brahms Wagner feud is taken to a new level of analysis when scrutinized under synesthesic responses to their musical shapes. <a href="http://blog.research-club.org/?p=148512961">Mathmusician Robby Kraft</a> and artist and synesthete <a href="http://wunnan.com">Ním Wunnan</a> team up to explore the concepts and relationships behind this analogy. Kraft will abstract musical shapes from representative works and illustrate the way these shapes evolved and changed as they were assimilated by the next generation. Wunnan will describe (and paint) the same structures through the lense of his grapheme > color and visual > audio synesthesia. Together the two interpretations of the musical structures will support a dialogue about the nature of tranlsation and what matters in music and art.</p> </div> <h3>Links</h3> <ul> <li><a class="url u-url" href="http://ororfest.com/">Website</a></li> </ul> </div>